What captures me about this work is Clarke's merciless use of black. It is almost like the white in his pictures are fighting for survival, something that lends itself well to the images in Poe's writing. Coopdevil of the Fighting Fantasist managed to get hold of a copy of a book featuring these plates, and I must say I am a little envious. Then again, until he posted on the topic, Clarke was an unknown figure to me, so I guess I shouldn't complain.
For more Harry Clarke, follow >THIS LINK<
I love that last one. That thing in the coffin really wants to get out!
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